Lam Wai-Nin

In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.

In 1970s Hong Kong, the Independent Commission Against Corruption (ICAC) was formed to bring down the corruption syndicate led by British government officials. One of its top investigators is Senior Investigator Lau Kai-Yuen, who brought down countless corrupted officials. Just as he thought stability and prosperity are within reach, a new era of greed and riches takes him into a new battlefield of corruption.

A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

When Lok's estranged father passed away, he left nothing but an ice cream motorcycle. Lok doesn't know how to ride one, so he has no way but to walk alongside it. During his trip, not only does Lok get to know more about his father, but it also leads him to reflect on his relationship with his son.

A washed-up action choreographer, struggling to find his way in a changing industry, risks everything to stage an epic comeback, and attempts to repair the relationship with his estranged daughter before it's too late.

Mohammad is a young asylum seeker from Pakistan. To make a living, he works illegally as a night delivery worker. He strives for a better life in a city with no identity and future in store for him. Despite his limited income, Mohammad helps out the single mother and her young son from Africa. He spends his days with his compatriots looking for jobs and waiting for their application results, hoping indefinitely for a miracle. Marginalized and ostracized, they survive in cracks and crevices of the city, trembling with rage and despair, waiting for dawn to come.

After his success as a martial arts film star, WONG Joi made a fatal decision to write and direct his debut feature Golden Sword Woman, with his beloved wife Mei-fung starring as the eponymous heroine. Years later, a senile, demented WONG, who keeps blabbering about his ‘groundbreaking’ debut, is being taken care of by his grudging son Ho. The film parodies the visual style of the Shaw Brothers martial arts films to tell the story of a contemporary father-and-son conflict and reconciliation. Golden Sword Woman travels in time and between both sides of the silver screen, between the romantic world of swordsmen and the unpromising, secular family life.

In hopes to wake their father up, the sisters, Abb and May, set off on a journey in search of their father's past love. With such a drastic difference in personality, the sisters each take matters into their own hands to find her.

Brilliantly played by LAW Ka-ying, the revered Skyblade hails from a prestigious family of Cantonese opera singers. Pressured into performing opposite the sponsor’s child at the celebrated Red Banquet in return for financial support, the reluctant Skyblade is further taken aback when he realises that Jade is a girl slated to play a male lead role in a predominantly masculine cast. However, as Jade’s talent becomes apparent to Skyblade, a bond is formed between the two during rehearsals, and a mutual understanding that both have been sacrificing their dreams and passions out of duty towards the family. When Jade reveals a shocking resolution to take control of her life, it is up to Skyblade to decide their fate on stage.

As a long-standing bar prepares to close, owner Hung and his young staff member Yip set out to return unclaimed bottles of wine to their owners. Through these encounters, Yip learns the deep connections between the wines and their stories, gaining insight into Hung’s philosophy. Alongside veteran bartender Bill, passionate mixologist Grace, and singer Adam, they create lasting memories for their customers in the bar’s final days.