Henry Lorenzen

For more than 50 years, Pauline Neuber has directed the "Olympia" theatre, but lately, business has been bad. It appears that no one will be able to make it better either: the audience doesn't seem to like the plays; the press even less so; and the shareholders of the theatre want to sell their shares. In short, the "Olympia" has one foot in the grave. Erich, grandchild of Pauline and always underestimated by her, gets to know Hella Bergson, the daughter of the theatre critic Peter Bergson, and falls in love with her - but doesn't have an idea whose daughter she is. He plays her some melodies from the first operetta he's ever composed and Hella convinces him to have the operetta performed in the "Olympia". During rehearsal of the operetta, however, a fight breaks out between Erich and Hella over a stupid misunderstanding.

Johann Strauss helps the business of a Viennese wine merchant and his daughter by showing up to conduct the orchestra at a party.

Charlie, a very gifted, young acrobat, cannot find employment. A dancer and colleague, whom he trained, has gotten him a job as a stagehand at a vaudeville theatre. After a number of chaotic events and some highs and lows - none of which ever discourage him - his hour arrives: an act can't go on and "Akrobat schööön" can finally make his grand entrance.

The ambitious female chief executive of a gramophone record company slowly finds herself falling in love with the company's head of production.

Successful playwright goes undercover to get new material and finds romance.

The ghosts of thieves help a beautiful young countess save her inherited castle from modern developers in this comic horror/musical.