Marcus Vinicius Diniz

Death stole her father; cinema gave her voice. Between silences and fabulations, a daughter dances with the shadows of memory, transforming paternal absence into a visual poem against forgetting.

Between the micro and the macro, the choreography remains the same. The film draws a visual parallel between the social organization of ants and the daily lives of construction workers, revealing the collective strength and the invisibility of those who carry the weight of the world on their shoulders.

In the midst of conservative politics in the city of Goiânia, an anti-prohibitionist collective mobilizes for the legalization of marijuana against government repression.