Gaston Dupray

Mathias Pascal, saddled with a stupid wife and a nagging mother-in-law, leaves home and is extremely lucky at several gambling resorts. He returns home and discovers that a drowned man, fished out of the river, bears an uncanny likeness to him and is being buried by his family as him. This, to him, is a pleasant turn of events and he goes to Rome, where he falls in love with Louise Paleari. Count Papiano, a jealous suitor of Louise's, threatens him with arrest unless he produces credentials to prove his identity.

Remember when Julie Andrews in The Sound of Music says "Every time God closes a door, He opens a window?" Well, this is basically the same philosophy followed by a sage authority named Professor Azais. Though he is never seen in the film, Azais's influences dictates every move made by Le Baron Wurtz (Max Dearly), a private tutor. Though he suffers quite a few setbacks, Wurtz presses on, armed by the Azaiz philosophy that every time something goes wrong in one part of the world, it is balanced by something going right elsewhere. This "law of compensations" pays off in big laughs for the audience, and in a happy-ever-after for Wurtz. Azais was based on a play by Georges Berr and Rene Verneuil.

Two journalists drop by the Waterloo studios, where a director shows them a rough cut of a pacifist film. In it, a botched atomic test in Belgium creates a clay cloud that spreads world peace, causing stock markets to crash and weapons manufacturers to lose their jobs.The journalists roast the movie for being unrealistic, but the director defends it as a wake-up call to maintain peace. Afterward, they tour the studios, giving a cool look behind the scenes.

Fearing the theft of an important secret formula, the scientist Claude Amory asks for help from Monsieur Préval, director of the Sûreté. But when Amory is mysteriously poisoned inside his own home, the detective realizes the case is more serious than he had imagined and decides to investigate each of the suspects.

In the eighteenth century, during a revolution in Karelia, an aristocrat, Armas de Murnau, fought alongside the revolutionaries. Captured, sentenced to death, he will try everything to see the woman he loves.

A rich Brazilian, Mendoza, visited Paris in 1900 and was romantically involved with the star of Offenbach's 'La vie parisienne' which was playing at the time. Thirty five years later, he returns with his son and granddaughter, who is engaged to a young Frenchman. But Mendoza's puritanical son forbids the marriage. Mendoza and the actress's friends conspire to change his mind and convert him to 'Parisian life.'

Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...

Théodore Beudraves works at night in a hotel and sleeps during the day. His salary allows him (unbeknownst to his wife Rose) to pay for singing lessons to Gaby Beauchamp, his young friend. But she falls in love with her son, Darius Beudraves, and vice versa.