Virginija Kelmelyte

Lithuanian countryside in the 1950s. People live with mixed memories of an independent Lithuania, no one believes in the myths of a future Soviet Lithuania, but everyone clings tenaciously, out of inner inertia, to the opportunities offered by even the smallest personal farm. This is a film that subtly tells the story of love and the beginnings of a peaceful life in the countryside: the surveyor is tormented by Pranė, who has fallen in love with him unrequitedly, Amilia, who has fallen in love with Zigmas, but is married to the surveyor, Anicetas, the village philosopher, Bernasius, knows it all: if there is an eternal darkness, there is also an eternal light...

The film portrays Lukša's attempts, in trips to western Europe, to gain support for the armed anti-Soviet resistance (known as the Forest Brothers), whose fortunes in a guerrilla war against Soviet authorities were waning, largely due to widespread infiltration and harsh crackdowns by the NKVD.

Two girls who live separately accidentally find out during their vacation that they are twins. One of them lives with her mother, the other with her father. They switch places, have cool adventures, and reconcile their parents. A Lithuanian adaptation of the German novel Das doppelte Lottchen or The Parent Trap.

Film based on Eduardas Cinzas novel Moris Bred’s Notes. After car crash Marius finds himself in the pension house, together with it\s weird inhabitants. Marius recovers his memory but he cannot return to his previous life.

Summer 1940, Lithuania is already occupied by the Soviets. In the interrogation underground, interrogator Pijus Karpavičius is nervously smoking, while in another room two arrested people meet - priest Antanas and Kazys, the leader of the still-organising anti-Soviet underground.

A classic mystery story based on the famous novel by Agatha Christie.

A sad story about love between Linas and Ruta - two young students in Vilnius.

The story largely centers on a grandfather who finds himself deeply depressed by the dramatic downward turns Bulgarian society has taken. The changes of the past half century have created a deep communications gap between generations and he is unable to communicate with his troubled son. Nor is the old man able to do much to help his grandson who is making his first forays into criminal life, blaming it all on his mother who admits she is incapable of loving him. The grandfather tires of life with the bleak family and so goes to an old folks home. But that proves repressive, so he and a couple of friends leave to enact a money-making scheme. When that fails, the old man finds himself alone and destitute on the rough streets of Sofia where his despairing eyes witness the further ruination of his homeland.