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Luis Enrique V. Schettino

Born September 1, 1997 · Mexico City, México (age 28)

Luis Enrique Vergara Schettino is a Mexican writer and director based in Mexico City. His films explore silence, masculinity, and emotional aftermath through restrained visual storytelling and performance-driven narratives. He directed the short films Al Día Siguiente (The Next Day) and Cuando Nos Volvamos a Ver (When We See Each Other), the latter earning international festival selections and win…

Known For

When We See Each OtherWhen We See Each Other
When We See Each Other
★ 10.0
MovieDrama
The Next DayThe Next Day
The Next Day
MovieDrama
During a birthday weekend at a summer house, a group of longtime friends gather to celebrate, laugh, and relive old memories. As the night unfolds, an unexpected moment shifts the emotional balance of the group, leaving one of them silently confronting an experience he does not fully understand. Al Día Siguiente (The Next Day) explores the fragile boundaries between friendship, masculinity, and unspoken harm. Set in the aftermath rather than the event itself, the film focuses on what lingers once the celebration ends — the doubt, the confusion, and the isolation that follow when pain is difficult to name. Through restrained storytelling and intimate performances, the film examines how silence can both protect and imprison, and what it means to face the day after everything has changed.

Filmography

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The Next DayThe Next Day
The Next Day
MovieDrama
During a birthday weekend at a summer house, a group of longtime friends gather to celebrate, laugh, and relive old memories. As the night unfolds, an unexpected moment shifts the emotional balance of the group, leaving one of them silently confronting an experience he does not fully understand. Al Día Siguiente (The Next Day) explores the fragile boundaries between friendship, masculinity, and unspoken harm. Set in the aftermath rather than the event itself, the film focuses on what lingers once the celebration ends — the doubt, the confusion, and the isolation that follow when pain is difficult to name. Through restrained storytelling and intimate performances, the film examines how silence can both protect and imprison, and what it means to face the day after everything has changed.

Director