Sulaïman Majali

Monad, situates webcam footage, projection mapping and texting both within the time space of the film and in the real time space outside, reformulating itself with each screening until Monad becomes fully saturated or until submarine internet cables stop working, whichever comes first.

Archive as poem in an age of perpetual witnessing curated by Jesse Darling. The selected one-minute videos for this edition of The One Minutes were submitted from Canada, France, Georgia, Germany, Lebanon, The Netherlands, the UK and the USA.