H. Fowler Mear

Holmes, retired to Sussex, is drawn into a last case when his arch enemy Moriarty arranges with an American gang to kill one John Douglas, a country gentleman with a mysterious past. Holmes' methods baffle Watson and Lestrade, but his results astonish them. In a long flashback, the victim's wife tells the story of the sinister Vermissa Valley.

Ebenezer Scrooge, the ultimate Victorian miser, hasn't a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. In the night, Scrooge is visited by spirits of the past, present, and future.

Black Coffee is a 1931 British detective film directed by Leslie S. Hiscott. Based on the 1930 play Black Coffee by Agatha Christie featuring her famous private detective Hercule Poirot, it stars Austin Trevor as Poirot with Richard Cooper playing his companion Captain Hastings. A famous but hated scientist, Sir Amory, is killed during a house party, and some of his valuable papers are missing. Poirot rapidly determines the cause of death and the motive, then narrows down the suspects to the most likely culprit.

Major John Peel returns to England, following Napoleon's Waterloo defeat, and renews his acquaintance with Lucy Merrall, but she tells him she is engaged to be married. He later learns that, Cravens, the man she is to marry already has a wife. He also learns that Craven cleaned out Lucy's father in a crooked gambling game, and Lucy is paying the price to hold the family home together.

Belgian sleuth Hercule Poirot investigates a mysterious suicide at a country house.

Bob Holt's last journey as a Railway engine driver before his retirement, a journey disturbed by his distress at leaving the Railway, and his suspicions of the relationship between his wife and his fireman. Aboard the train are a pair of pickpockets, a honeymoon couple, a drunk, a temperance pamphleteer and a host of familiar types, all more-or-less bizarre in characteristically English ways. Bob takes an unexpected course of action, and the characters start interacting in varied and unexpected ways. When, at last, the train stops, all has been resolved, but not as might have been expected at the beginning of the journey.

Fearing the theft of an important secret formula, the scientist Claude Amory asks for help from Monsieur Préval, director of the Sûreté. But when Amory is mysteriously poisoned inside his own home, the detective realizes the case is more serious than he had imagined and decides to investigate each of the suspects.

That old theatrical war-horse Bella Donna (previously filmed in America by Alla Nazimova) was resurrected by Britain's Twickenham Studios in 1934. Conrad Veidt stars as sinister Egyptian Mahmoud Baroundi, who even before the film gets under way has left a long trail of ruined women behind him. His latest victim is American girl Mona Chepstow (Mary Ellis), whom Baroundi treats like dirt and makes her like it. The plot centers around a murder by poison, as evidenced by the film's deliberately exotic title. Critics in 1934 praised newcomer Mary Ellis for underplaying her role, but many film fans preferred Nazimova's arm-waving histrionics in the earlier version.