Gracie Fields

A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of theatre and film appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance.

Gracie plays a London publican's daughter named after Nell Gwynn, who much like the original, becomes romantically involved with a King(John Loder).

When the textile mill closes, putting her out of work, Gracie finds herself experiencing all of the amusements of Blackpool.

A perpetual dreamer talks his wife into moving with him from their home in Australia to South Africa, where he hopes to discover gold and finally become wealthy.

A woman believes her boyfriend died in the First World War, but he is now looking for her

An artist returning from years abroad takes the identity of his dead valet and gets married, but then there are complications.

A mill worker with show biz dreams catches a big break when she's discovered by an ailing composer who's seeking the right singer for his songs.

A woman prevents a popular stage performer getting arrested for drunk driving, though has to pretend to be a rich benefactor when she next meets him.

Grace Milroy loses her job working at a factory. However, through a strange set of circumstances, she is taken on as housekeeper at the nearby Swinford Castle the home of the eccentric Duchess of Swinford.

Constance Bennett both produced and starred in the espionager Paris Underground. Bennett and Gracie Fields play, respectively, an American and an English citizen trapped in Paris when the Nazis invade. The women team up to help Allied aviators escape from the occupied city into Free French territory. The screenplay was based on the true wartime activities of Etta Shiber, who engineered the escape of nearly 300 Allied pilots. British fans of comedienne Gracie Fields were put off by the scenes in which she is tortured by the Gestapo, while Constance Bennett's following had been rapidly dwindling since the 1930s; as a result, the heartfelt but tiresome Paris Underground failed to make a dent at the box-office. It would be Constance Bennett's last starring film--and Gracie Fields' last film, period.

Gracie Fields' second film Looking on the Bright Side was a smash hit film of 1932. It contains a lot of her biggest hit songs of the period.

A vivacious actress needing work becomes a housekeeper for a crusty retired politician, and gives his life the shaking-up that it needs.

Entertainer quits a crooked London theater and sets up her troupe on her uncle's farm. A famous musician joins the group and helps them get a legitimate booking.

Gutsy lass Gracie rallies fellow stall-holders at Birkenhead Market to prevent its takeover and demolition by a department store chain. She invokes the Market's foundation by Royal Charter just before an inadvertent gas leak provides an explosive climax.

A lancashire singer buys a pub in Clydebank and hits money troubles when the shipbyards are closed. She takes a petition to London to try to get them reopened.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

The Goodyear Television Playhouse is an American anthology series that was telecast live on NBC from 1951 to 1957 during the "Golden Age of Television". Sponsored by Goodyear, Goodyear alternated sponsorship with Philco, and the Philco Television Playhouse was seen on alternate weeks. In 1955, the title was shortened to The Goodyear Playhouse and it aired on alternate weeks with The Alcoa Hour. The three series were essentially the same, with the only real difference being the name of the sponsor. Producer Fred Coe nurtured and encouraged a group of young, mostly unknown writers that included Robert Alan Aurthur, George Baxt, Paddy Chayefsky, Horton Foote, Howard Richardson, Tad Mosel and Gore Vidal. Notable productions included Chayefsky's Marty starring Rod Steiger, Chayefsky's The Bachelor Party, Vidal's Visit to a Small Planet, Richardson's Ark of Safety and Foote's The Trip to Bountiful. From 1957 to 1960, it became a taped, half-hour series titled Goodyear Theater, seen on Mondays at 9:30pm.

DuPont Show of the Month is an acclaimed 90-minute television anthology series that aired monthly on CBS from 1957 to 1961. The DuPont Company also sponsored a weekly half-hour anthology drama series hosted by June Allyson, The DuPont Show with June Allyson. During the Golden Age of Television, DuPont Show of the Month was one of numerous anthology series telecast between 1949 and 1962. Superficially, it resembled Playhouse 90 and other anthologies, but DuPont Show of the Month focused less on contemporary dramas and more on adaptations of literary classics, including Oliver Twist, The Prince and the Pauper, Billy Budd, The Prisoner of Zenda, A Tale of Two Cities and The Count of Monte Cristo.