Gonzalo Zilberman

Alan, a frustrated filmmaker, begins shooting a series about his everyday life. Hearing about a neighborhood conflict, he finds the plot for his first episode. Between his family, a Malvinas War veteran, a supposed pimp and missing pairs of socks, Alan begins filming his pilot.

A mysterious yet familiar call once again disrupts the desolate life of an old man in his home.

During a group therapy, an array of people struggle to stop pleasing others. What begins as a support session turns into a mess of absurd offers.

A private detective spends her days in her car following a suspect she hardly ever sees. As she tries to make progress with the case, she reviews her closest ties. The unexpected appearance of Alicia, a neighbor, disrupts the investigation and her personal life.

Tino is going on his first date with Lola. His friends, doubting his chances, devise a plan to ensure the outing's success.

The shoot of an adaptation of the Jane Austen classic set in contemporary Mar del Plata.

A frustrated and alcoholic writer has an idea. I wake up in Buenos Aires, lost and alone. In my pocket I find a photograph of a woman. It brings me memories of her and a house. The back side of the photograph has an address. I begin to walk. I travel across the city looking for this woman. A whole day goes by. I'm tired, it's late. I get to the house. Everything starts again.

Jorge hustles his way through Buenos Aires' ruthless financial district, making cash and enemies by the minute. Crude, chaotic, and a magnet for disaster, he's burned just about every bridge, including the one to his estranged daughter. But after a near-fatal heart attack, Jorge is hit with an unfamiliar urge: to become a better man. Or at least look like one. Fueled by guilt, nicotine, junk food, and questionable life choices, he sets out to win back his daughter's trust and prove he’s changed – without actually changing too much. Because old habits die hard… and Jorge's aren't even close to dying.