Marlene Rahn

This episodic film is a close relative of Wolf Hartwig's schoolgirl report movies, made by the same people, in a similar style, around similar topics. However, this one specifically focuses on the coming-of-age aspects, to an extent that it also touches on delicate issues such as paedophilia.

Pseudo-documentary in the style of "Schulmädchen-Report" (Schoolgirl Report), portraying the lively activities of high-class prostitutes, pimps, and clients in various cities across Germany.

This Softsex-comedy points out what people are doing everything so when they feel unobserved in their closed doors.

An Austrian version of the famous farce Charley's Aunt. A man impersonates his own aunt.

An oft-naked male reporter decides to do an expose on "sexual widows", housewives who are neglected by their busy husbands. - This cheaper sex film is disguised as a report about green widows.

Four women of Gubbio – Angelica, Violetta, Lisa and Bettina – are conducted before the court by their lovers and husbands.

Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.

Young women come to Munich for fun and work during the '72 Olympics and invariably wind up naked.

Heinrich and his wife Sabine are happily married, until Heinrich suggests trying something new in the bedroom - the plan to meet with two other couples for a night of erotic adventures turns into total chaos.

Two dumb blokes are searching for the illegitimate sons of an old captain. But it soon turns out, that the sons are daughters...

Ted Talbot is a prosecutor in Newtonville. In the course of his work, he accuses Jim Conley of robbing a bank and killing the cashier. Ted's wife Jane takes over Conley's defense. When the court sentences the defendant to death, she files for divorce. Beth Conley, the wife, goes to see the prosecutor and asks him to postpone the execution of the sentence for thirty days. When he refuses, she threatens him with revelations. Deputy District Attorney Hal Young witnesses this confrontation...

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

A man visits his girlfriend in Amsterdam after the war. He soon finds himself, for inexplicable reasons, in a country house where two women as 'white slaves' have to learn all kinds of erotic skills, and where a private detective, who has sold his own wife to an Arab in Tangier, comes to investigate.

Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".