Jakub Baniak

The film Survival offers a grotesque critique of homelessness and environmental decay through a unique blend of live-action and diverse animation techniques, including pixilation and 3D. As an auteur project, it integrates these styles seamlessly to create a striking artistic vision. Its scenography embraces upcycling or "trash art," echoing Marcel Duchamp’s legacy of elevating banal objects into profound art. By incorporating street art and graffiti, the film sparks dialogue about art’s role in society. This innovative approach transforms waste into priceless commentary, challenging viewers to reconsider their surroundings and the nature of creativity itself.

Wake up, get ready, a quick breakfast to the sound of his favourite jazz – and it is time to rush off to work, just like every day.

A cat lover, Jesus leaving the cross and Christmas carollers holding pitchforks are set against a snowy and icy scenery. ‘Zima’, a psychodelic journey to a small fishing village, collects as if in a lens the behaviour, customs and vices of the Polish provinces. In this small community, different views, the behaviour of people and animals and their mutual relations clash like ice floes on a lake. Maintained in the convention of magic realism, this animation is like a horror playing out to the accompaniment of barking dogs and a punk metal music score.