Hermann Vallentin

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

The sinister Count Oetsch scandalizes the aristocratic social gathering at Castle Vogelod as he announces his intention to "crash" the festivities. Baroness Safferstätt is expected shortly, and the guests are well-aware of the rumors that Count Oetsch murdered the baroness' late husband. Oetsch refuses to leave, vowing that he will reveal the identity of the real killer. Before the weekend is through, the Count and Baroness will reveal secrets too shocking to be believed!

Weltbrand is the first part of the two-part silent movie Christian Wahnschaffe.

Playboy Paul Le Barroy, weds Elyane Parizot because he is ready for children, and his mistress, Louise Bonvin, is not. After the honeymoon, Elyane informs Paul that she doesn’t want children, either. When Paul leaves her, Elyane blames Louise and confronts the ex-mistress with a gun.

The story of medical student Sonja Smirnow and her family.

A pharaonic tragedy to the content that spans six different eras. In the first episode, the emergence and dramatic end of the love story between the pharaoh's daughter Princess Amnertis and her beloved Tirhaka is told until the latter comes to a violent death. From this drama arises a curse, which in the following episodes has had far-reaching effects over the centuries. Everyone who possesses the skull of the long-lost pharaoh's daughter must die violently until the day the skull is sunk in the sea.

Totte works in Paris when she meets the wealthy Renato. Renato's father wants him to marry so to fool him he proposes to Totte.

The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke's affairs, a series of frantic chases, plots and counter-plots begins.

Based on the true story of a cobbler who bought a second-hand captain's uniform, assumed command of a troop of guardsmen, declared the town of Köpenick under military law, arrested the mayor and confiscated the town treasury.

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

An innkeeper in sheer despair murders a passing by musician and steals his money in order to buy medicine for his dying wife. Eventually, he falls into an endless turmoil of guilt and madness.

German language version of Two Worlds.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.