Aditya Karatagi

After a prank is pulled on the set of a sitcom, an actor is accused and removed from the show. His twitter superfans take it in their own hands and lead an investigation to find the real culprit.

Theo, shattered by a recent breakup, is consumed by a creeping parasocial obsession that blurs his reality. Isolated and paranoid in his dimly lit house, he compulsively uses his phone to replay and speak to the idealized version of his ex. His self-made digital sanctuary is violently broken when the line between his liminal fantasy and an uncomfortable, real-life presence is shattered by the arrival of her ghost

A silent, masked man spends a very paranoid hour in the Melbourne CBD as he waits for a stranger, his only reference being a single photograph.

Life ends, but images never do.

Katie, a theatre teacher at an all girls Catholic school in Melbourne, and the director of the school's musical production, has to deal with late cast and crew, demanding staff members, and a chaos-inducing gift, all within 30 minutes of their opening night.

A young man meticulously filters through the footage of his unfinished short film, after the abrupt death of the woman he cast in it. Under the obsession of this lost love, he spirals into an absurd and pathetic game of revision, alienating his sister in the process; who is attempting to make sense of her own journey through all this.

Over the past 100 years the media has had a powerful relationship with war. From changing public opinion back at home to dictating what happens on the battlefield. This documentary examines how the media reported on several key wars and what effect that had focusing on the Australian perspective.

Endless images, flowing in and out, set to a collection of looped sounds. Shot and heard on a family trip.