Ted Gaier

The film is about a ship that is abandoned by its owners in the port of Hamburg, about its crew, who find themselves in a rather desperate situation, and about a journalist whose talent is little appreciated by television, but all the more appreciated by a secret service agent.

A study of the alienated people who frequent the Ballhaus Barmbek dance hall, including an obese El groupie, an old man reciting poetry, two young women and a regular dance employee.

A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration – and in recent years has mainly attracted people who do not like to pay taxes. The imprints speak, the fog. Without talking heads, in perspectives beyond the memorialized self-image of this region, classism becomes comprehensible.