Favio Pastorino

Malena, a woman who divides her life between two jobs: by night she's a dancer in a cabaret and by day she answers a "Hot Line," an erotic telephone line. However, her routine turns into a nightmare when a serial killer begins calling her, recounting his crimes in chilling detail and announcing that she will be his next victim. This is a clear homage to the Italian Giallo.HoH

During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.

A strange vampire named Franki sits calm and serene eating in his house... but... what is he eating?

A debt-ridden father takes advantage of an unforeseen situation to disappear and live off the grid under a false identity. But a chance event occurs and the temptation to want to know his family resurfaces.

The Last Tango takes place hours before Violeta's performance with Carlos Gardel; replaced by her friend Lucecita, she locks up her ex-partner Julio to disguise herself as him and be able to dance with Lucecita in front of the singer.

Débora, a journalist from Buenos Aires, receives news that the mayor of a town in the province of Buenos Aires, Patacón, has been murdered. She senses that an uprising is about to erupt there after the assassination, so she takes the initiative to go cover the event. Once there, she discovers the place is split in two: Patacón, the traditional town, and Mala Muerte, where those who were cast out for being “different” ended up. When she tries to cross into Mala Muerte, she is stopped, and introduced to Chief Moreira, who threatens her and warns her not to meddle where she isn’t wanted. Ignoring Moreira’s threat, she crosses into Mala Muerte and meets Lucero, the leader of the rebellion, who is believed to be the mayor’s killer. He explains what Mala Muerte means to them, and everything they have suffered for being expelled. After this, Débora must choose: tell the story according to the chief’s version, or align herself with Lucero’s perspective and uphold his narrative.

Pedro, a 25-year-old young man, enters a financial institution to ask for a loan. He is sent to the basement, where an endless, twisting staircase drags him into a spiral with no way out. Just as he is about to lose hope, he finds some hallways that lead him to the office of a former employee, who makes him sign some papers. Pedro agrees and, unknowingly, signs his sentence to an eternity at the company.