Michał Sufin

On a Warsaw construction site, out of the blue, a stretch of highway appears. Sober after a month-long party, the workers can't explain the phenomenon. The case is taken over by the Space Research Agency. At the same time, various residents of the capital experience an identical obsession - they see trash cans in everything. Affected by this obsession, Rockman tries to commit suicide. He reaches his own inner self, where he finds answers regarding the mythical history of mankind and the tragedy that has befallen it.

It tells the story of the Warsaw Uprising of 1944 through the eyes of a US airman, escaper from the Nazi Stalag camp and two young reporters, cameramen for the Bureau of Information and Propaganda of the Polish Home Army. Their mission: documenting the Uprising by shooting newsreels for the “Palladium” cinema. Looking for the right shots, they go deeper and deeper – literally and figuratively – into the heart of the Uprising. Traumatic truth becomes obvious. Aware of being witnesses of indescribable events, they realize their duties: to document them and preserve the rolls of film at any cost…