Juana González Posse

The accidental finding of a journal from 1956 led to the search for its owner, Susanne Luzian. After her tragic death at twenty-five, somebody logged it in her journal to bring closure to her writings. Through a portrait of the city of Chascomús and interviews with her relatives, "Sanne" explores the importance of personal writing and leaving our mark on the world.

Argentina, 1971. In the height of summer, a teenage greaser drives a stolen red Mustang down a desert highway. When the police finally stop him, everything seems headed toward punishment, until his father intervenes and the situation takes an unexpected turn. What begins as a youthful chase becomes a sharp portrait of family tensions and a world where authority blurs, rules bend easily, and cunning is passed down as an inheritance.

Ita's voice tells anecdotes of her life about close losses, which allows us to glimpse her fears and her relationship with oblivion, while she reflects on the similarities between decomposition, life and cinema.

A girl arrives in Buenos Aires to move alone for the first time.

Rosa spends her days between working at the dry cleaning shop and reminiscing about her childhood with her mother. One day, she sees on television that a woman from her neighborhood claims to have seen the Virgin Mary. From that moment, Rosa’s daily life becomes increasingly surrounded by religious symbols.