Caíque Castelo Araújo

A reborn angel wanders through the city. Two boys meet on a bus and embark on a sexual journey. A constant flow where narratives converge, creating a kaleidoscope of post-pandemic youth.

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.

Friendship, memories and cybershots.