Xu Li

Acting

Xu Li

No biography available.

Known For

ConfuciusConfucius · 1940
Confucius
6.51940
MovieDrama
The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.
SpringSpring · 1942
Spring
8.01942
MovieDramaRomance
Modern WomanModern Woman · 1945
Modern Woman
1945
MovieDrama
Sorrows of the Forbidden CitySorrows of the Forbidden City · 1948
Sorrows of the Forbidden City
6.71948
MovieDramaHistory
The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhen Fei.
Modern ‘Red Chamber Dream’Modern ‘Red Chamber Dream’ · 1952
Modern ‘Red Chamber Dream’
1952
MovieRomanceWar
Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Filmography

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Modern ‘Red Chamber Dream’Modern ‘Red Chamber Dream’ · 1952
Modern ‘Red Chamber Dream’
1952
MovieRomanceWar
Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)