Émile Ducas

Rosalie tries to make a film, while her roommate and her actors keep getting in her way.

At 61, Steve leads a seemingly ordinary routine life. But behind this facade hides a much more complex universe: that of BDSM, where the body becomes a field of pleasure and exploration of submission. This anthropologically inspired documentary paints an intimate portrait of this man who, through his fantasies, seeks to redefine his relationship with the body, desire and his deep identity. By diving into his most abstract motivations, the film questions what this quest for control… and abandonment reveals.

December 31, 1999. Quebec is a few hours from year 2000 and its potential bug. Trapped in a Montreal appartement, Momo needs only one thing to survive this nightmare: couscous.

Inspired by the cult Quebec classic, The Dog Who Stopped the War: Reimagined is a collective recreation orchestrated by Kino Montréal. The project brings together multiple filmmakers, each invited to reinvent a scene from the original film in their own distinct way. Blending comedy, drama, horror, experimentation, and absurdity, every segment offers a unique vision, creating a true collage of styles and tones. Once assembled, these reinterpretations form an unpredictable and fragmented feature film that pays tribute to a landmark of Quebec cinema

While our childhood chalet is about to be sold, my friend Édouard watches over his father Éric, whose health is declining. Through the complicit gaze of a childhood friend, this documentary focuses on this fragile moment when the roles are reversed, when the child in turn becomes a parent. It modestly explores how love persists when everything else fades. A tender portrait of ordinary resilience and the connections that remain when all that remains is silence and memories.

In the middle of a subathon, a streamer must decide: keep the show going, or reconnect with the people who truly matter.