Bruno D'Azar

One hot night, a child captures the ‘beast’ that has long haunted the chicken coops in their village. The next day, racked with guilt at having hunted it down, she joins her cousins to save it from the adults’ punishment, but hides the fact that it was her hand that wounded it.

Martim is a poetry session regular, but never gained the courage to read in one of them. Later, he meets with his friend Gabriel, and decides to ask him for help with his fear. In the following session, he’s finally ready to read one of his poems.

In the week leading up to her company’s premiere of Giselle, Lena, the understudy to the lead role, struggles to meet the demands of the performance. Seeking escape, she spends a night with friends on the outskirts of the city. As a rave gradually transforms into a forest haunted by echoes of the ballet’s second act, Lena confronts a version of herself still trapped beneath the spotlight.

An ode to projection in cinema, from the work of the projectionist to the machines that light up the theaters.

A father and son are at a bus stop waiting for a bus that doesn't come. They decide to walk and are forced to choose which belongings to take from their recently demolished home. The two embark on a journey into the city in seek of shelter.

A gardener in Lisbon, dissatisfied with the neglect of public spaces, gathers a community of concerned citizens to directly intervene and plant, giving the city a new and greener life.