Santino Bertolotto

“Sátiro” is the audiovisual film for the first single from Magios’ second album, titled “¿Quién Busca Respuestas en el Mismo Placer?”

Rosario (18) attempts to communicate with her dead mother through a ritual forbidden by her family. Miguel (25), her brother, and Fausto (50), her father, fight to stop her and protect themselves from a dark past.

Guillermina and Belinda, childhood friends, are spending their final days together in their apartment in Buenos Aires.

Scroll is a dramatic short film about a young woman trapped in the endless scrolling of her cell phone, mindlessly consuming content as time and real life slip away.

A photodocumentary about dancing: Seen through the dance studio Arte XXI, where it investigates the motivation of the movement in the human body.

A tour of the ENERC and the people who make it up, telling the importance of the institution and Argentine cinema, and what it means to each of them.

Débora is a hospital and palliative social worker who works at the Udaondo Hospital in Buenos Aires. Following her work day we discover the story of her patients, her way of caring and how through work she finds her place. Everyone has pain to express, but also ways to relieve themselves. Débora is thus a window to their intimacies.

Lola is the guitarist for Todos mis Demonios, a post-punk band in Buenos Aires' underground scene. Between rehearsals in graffiti-covered rooms, concerts tinged with red lights, and tensions with Paco—her boyfriend and bandmate—she struggles to bring her own songs to the stage. With the support of Lisa, her friend and drummer, Lola must confront both Paco's criticism and the internal and external demons that haunt her.