Genilda Maria

Five undercover cops at Complexo do Alemão, one of Rio de Janeiro's most dangerous areas, have their covers blown by drug dealers. Arrested, they wait execution or to be rescued by police forces that would risk expose a larger operation.

Gledson is a lonely worker who left his hometown with the dream of becoming an actor in Rio de Janeiro. Tormented by vague memories of his past, he sees his life change when he begins to write a book about Teresa, a prostitute who goes through death expecting a child and ends up on a fantastic island. When a friend of Gledson decides to turn his book into a film, reality and fiction mix: while Teresa has to decide what to do with the child born on the island and the writer deals with the challenge of becoming a creator, the film changes when the director confronts the experience of her own motherhood.

A violent and unruly man appears injured and without memory in a riverside community, who accuses him of robbery and tries, in vain, for him to recover his memory and return the money. In a popular trial, a plot involving domestic and gender-based violence, human trafficking and embezzlement of public funds comes to light. Sentenced to isolation, he seeks a new meaning for his life.

Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.

A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.