Franco Citti

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.

Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Oedipus, and brought up by the King and Queen of Corinth as their son. One day an oracle informs Oedipus that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents - only to get into a fight and kill an older man on the road…

Following the release of Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three films into chronological order to create this nearly ten-hour epic, incorporating scenes not part of the theatrical releases.

"Black" is a stunning fire-and-silk stallion celebrated the world over. But to his young American owner, Alec Ramsay, he's much more. So, when the amazing animal is stolen, Alec will stop at nothing to get him back. Alec finally unravels the mystery of Black's theft...only to discover that he must overcome even greater odds to reclaim his beloved horse.

Summer Sunday at a small beach house at the coast of Rome. Many people and stories: women's basketball team, two sports-obsessed soldiers, two men with their girlfriends and the priest with a big secret, an elderly couple with their pregnant granddaughter, and engagemented couple wanting to have sex for the first time.

After years spent working as a prostitute in her Italian village, middle-aged Mamma Roma has saved enough money to buy herself a fruit stand so that she can have a respectable middle-class life and reestablish contact with the 16-year-old son she abandoned when he was an infant. But her former pimp threatens to expose her sordid past, and her troubled son seems destined to fall into a life of crime and violence.

A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.

During the American Civil War, a Confederate prisoner, Clyde McKay, attempts to steal a box of gold from a Union prison camp. He is aided by a group of prisoners and a prison guard but he is double-crossed along the way.

Sebastian, Chief Archer in the Roman Army, converts to Christianity. A favorite of Emperor Augustus, Sebastian's devotion to Christ eventually drives him to reject the Emperor's love, causing the Emperor to angrily order Sebastian to be shot with arrows by his fellow archers. The film retells this mystery play with a definite 'art-house' approach: an almost poetical use of language, singing, dancing, some homoerotic themes, and some special effects.

Two jerks are enlisted in the Italian army during W.W.1 and by pure luck manage to help win an important battle.

A pharmacist is murdered, and a woman happens to see the culprit leave the scene. She soon finds herself being stalked by the killer.

Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.

Fred and Tony are members of an elite “special squad” of police in Rome who are undercover, licensed to kill, and love to live dangerously.

Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera and Rabbino were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young "rescuers" to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother's are sent to jail for stealing.

A con man pulls a double-cross on a gang of vicious bank robbers.

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

A seven-hour chronological edit of The Godfather and The Godfather Part II, expanded with over an hour of restored scenes to trace the Corleone family’s rise from Vito’s youth in Sicily to Michael’s reign in 1950s America.

A TV series composed of eleven episodes and a conclusion, it aired in six one-hour programs starting on October 6, 1985. Lasting about half an hour each, the episodes are separated by intermissions starring three characters: Good, Evil, and Destiny. LA MORTE PORTA CONSIGLIO: At her father's deathbed, a daughter asks the man to tell her the winning Lotto numbers once he makes it to the after-life. But the man is offended by the modest funeral he receives and has fun playing pranks on his daughter. IL FATTACCIO: a doorman is paid to show an apartment in which something gruesome happened. Determined to keep the extra work, he invents increasingly grisly stories to keep interested buyers away. LADRI: two thieves in a working-class neighborhood have tragicomic adventures. L’IMBIANCONE: a very shy man enters a shoe store to buy a pair of shoes and seduce the female shop owner.

Set between 1629 and 1631. Renzo Tramaglino and Lucia Mondella are Lombard peasants forced to separate and endure a thousand vicissitudes because of the bullying of the squire Don Rodrigo. However, during their journey they will find various people willing to help them, from Friar Cristoforo to the Innominato, from Federigo Borromeo to Donna Prassede.