Maria Nafpliotou

New Year’s Eve 1999, Athens: a desperate fugitive armed with a live grenade takes a family hostage and demands to go on live TV as the world counts down to the new millennium. Broadcast in real time, the situation pulls in a young journalist, media executives and a divided police force, as an entire nation watches events spiral toward a tragic and irreversible outcome.

Inspired by the physicists who built the Soviet atomic bomb, the film DAU follows a brilliant Greek-born physicist from 1928 through four tumultuous decades in the USSR. Driven to uncover the laws of the universe, the idealistic Dau is drawn into state service to help create one of history’s deadliest weapons. Inside a secret research institute, life is governed by scientific ambition, power, surveillance and privilege. As his autonomy erodes, Dau seeks freedom beyond his marriage through a succession of affairs, gradually losing both himself and his capacity to love. At once an intimate portrait of a man in pursuit of happiness and freedom and a vast fresco of a society founded on violence and ideology, DAU traces the small compromises that shape a life and alter the course of history.

In the barren stretch of the motorway, Jimmy’s family diner is on the verge of extinction—until a botched drug deal drops a bag of cash into his lap. Now, Jimmy must navigate the dangerous underworld of gangsters, shady cops, and his own treacherous staff to save the business he’s clung to his entire life. With a mix of crime, thriller, and dark comedy, Jimmy and his eccentric crew—Mara, Nicko, and Abi—must outsmart the criminals closing in, all while struggling with their own growing desires for the cash. It’s a game of survival, where no one plays fair.

It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven’t seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau’s wife, returns home.

Andreas, an Art History Professor at the Athens School of Fine Arts, is involved both with a sexy intellectual French-Greek woman and a young student of his despite being in love with his beautiful wife. When he finds out he has leukemia and only a few months to live, he decides to keep it a secret but also to talk to the women in his life about his infidelity.

An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.

Stelios Dimitrakopoulos has 32 hours left before he loses everything. From the jazz bar he painstakingly keeps running for years, to his own family. The Romanian gangster who lent him money, now demands the debt to be paid. The middle-man and former friend, makes Stelios take care of illegal errands. His wife is seriously thinking of abandoning him, and a night club owner, not thinking about the consequences, finally starts to stand up for himself. Christmas is coming, the clock is ticking, and the tree in Stelios' house must be decorated.

Chariton Ulianov has one great love: Life! That particular love affair however does not hamper him in his pursuit of enjoyment of her simpler pleasures. For him every woman is beautiful, every wine is superior when shared with good company and every situation an opportunity for good humor. His position as School Master in a small provincial town on the island of Corfu gives him the opportunity to disseminate his own unique philosophy especially to the students that participate in his greatest passion: the choir.