Carrsan T. Morrissey

When Raekwon, the actor behind a hugely popular advertising character named Lil Pooky, finds out weapons are the next big thing he must sell, he realizes he's being used for a darker purpose.

Iris is hooked on Ichor, a mysterious and powerful drug that offers strength and euphoria at the cost of an unquenchable thirst for human blood. Finding herself out of Ichor, blood, and time, Iris takes to the streets to hunt for more.

Loosely inspired by the religious epic of Judith, The Salvages is a boundary-pushing tale of lust, love, and wrath at the end of the world. It is a journey into the darkest shadows, and the slivers of light that sometimes unmake them. The story begins three days before an impending apocalypse. We follow Judith (J. Croft), who is incarcerated at the New Canaan Academy for Delinquents. NCAD is an ‘alternative’ to jail that has proven worse than Judith could have imagined. Judith is consistently menaced by Reverend Hoelting, the Academy’s abusive and predatory figurehead. Things begin to change, however, when Judith is approached by Abra, another NCAD ward whom she has admired for some time. Together, Judith and Abra find love and hope in each other. Ultimately, an inexplicable vision of a divine being calling itself ‘The Madonna’ inspires Judith to plot terrible wrath upon the person who has done her wrong.

A seemingly harmless party game leads to a horrifying spiral into madness, violence, and cosmic horror.

One night in a fallen world, three strangers— a zealot, a hedonist, and a sex worker— unite for a strange ritual. Will they find absolution, sensation, or oblivion? Will it make a difference?