Ellen Umlauf

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

True story of two diametrically opposed young women dealing with terminal illness.

The young policeman Joachim Krippo likes to occasionally share his bed with a nice married couple. When he is supposed to be guarding the criminal Engel Potraske during a court appearance, the dangerous Engel manages a spectacular escape, but departs minus a toe! Krippo is subsequently suspended from his duties and put with other police officers under the care of an elderly police psychologist. Krippo's professional set-backs are followed by private ones: his grandad - who was actually being well looked-after in an old people's home - is dropped off at his place because the payments due have not been made. He tries to get his grandad out of the flat by pairing him off with the police psychologist. But, in the critical moment, Krippo lunges for the bait himself. At least, this means that he will be discharged from the psychograph tests as being fit for service again...

In 1923 Berlin, following the suicide of his brother, an American acrobat struggles to survive while facing unemployment, depression, alcoholism, and the social decay of Germany during the Weimar Republic.

The students at a school of hotel management repurpose the institute into a hotel with a show stage, double-cross the principal, the groundskeeper, and a grumpy millionaire, and cause so much mischief and confusion that, in the end, there is only one thing left to do: laughing to the bitter end!

After several attempts to approach film star Cesar Valentin, writer Brian Smith takes matters into his own hands, shooting the actor in front of hundreds of fans, only to be killed himself in the ensuing chaos. Achieving instant notoriety, Smith transcends with Valentin to a luxury hotel in the afterlife, a strange new world beyond the veil of mortality inhabited exclusively by dead celebrities.

Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).