Eberhard Schröder

The ghosts of thieves help a beautiful young countess save her inherited castle from modern developers in this comic horror/musical.

Florestan Mississippi, a public prosecutor by profession, visits a lady named Anastasia and, while drinking coffee with her, convicts her of poisoning her husband. At the same time, he asks for her hand in marriage, as he too has killed his wife with poison; the marriage is to be the "atonement" of the two poisoners. The four allegorical personifications in this comedy are, in addition to the loveless, absolute justice in the form of the prosecutor Mississippi, perfect equality, represented by the world revolutionary Saint-Claude, Christian love, embodied in the down-and-out, alcoholic tropical doctor Count Uebelohe-Zabernsee, and finally the "Frau Welt" of the old mystery play – Anastasia, who falls for everyone and betrays everyone, loves nothing but the moment, and dies with an invoked untruth on her lips.

Mockumentary about German schoolgirls openly talking about their scandalous sexual experiences. Some of these are illustrated through inserted vignettes. Also, a street reporter asks actual common folk about their views on sex.

An FBI agent goes to Hong Kong to short-circuit a smuggler of electrical parts to the communists.

This movie chronicles several pregnant women on their quest to have an abortion. Some got pregnant by accident, others were raped. Sure to offend anti-abortionists, pro-lifers, feminists and chauvinists alike. The portions of the movie that deal with European folk remedies to pregnancy are especially interesting.

The countess is married, and the ghosts are still in the Spessart. Her husband becomes an astronaut and the story involved time travelling and space travelling starts.

120 schoolgirls live in a Catholic boarding school for girls together with nuns, who teach them, but secular teachers are also employed here. Behind the conservative façade of decency, discipline and order, there are unsuspected sexual abysses.

Michelle De Winter lives the good life, wining and dining with only the richest men who are fortunate to cross her path. Her daughter Yvette, whom Michelle insists on introducing as her 'niece', is a fashion model. She is saving herself for the right man, despite the fact that she is part of the free love generation and lives with a group of promiscuous creative types. While Michelle is searching for a new millionaire playboy, Yvette falls for the handsome Peter Von Hallstein. She asks the fatherly Dr. Fink to help her come up with a scheme to get Peter to propose to he