Lucas Koury

The film explores the haunted mansions of Belém, inhabited by apparitions that are not as dead as they appear. The experimental short film embraces the aesthetics of photomontage and walks the line between horror and drama.

To whom does love belong? I, the petulant creature who dwells through the streets of a flesh laden city, cannot imagine it in my life as well? At times I breathe, at times I shout, I can even grunt. Everything is mud, everything is pasture, and, amidst sighs of depravation, I've found her...

Rezadeira, lady of the forest, prepares a ritual to bless the people of the woods. Her hands travel, with mastery, through the green trails surrounded by plants and herbs from the sacred grove. Her profane side shows at the end of her divine duty, making her yearn for the flesh's needs.

In this recently found and restored banned underground classic from 1984, four girls go into a bathroom to hide in the middle of a war and, after an impulsive act by one of them, they find themselves trapped there. As panic gives way to despair, tragedy approaches.

During a visit to the museum, a cynical emissary emerges with a cruel omen about Eternal Recurrence.

The story tells the beginning of Júlia's day, which repeats itself every time she walks through the door of her house. However, every time she returns to the same day, a family member disappears as if they had never existed and only Júlia holds the memory of them. During the repetitions, family problems of communication and affection are highlighted, bringing reflections on family relationships and/or the lack thereof.

The plot revolves around two completely different and distant women — a nurse and a fashion model — who are haunted by their own spectre after going through the same experience: they can no longer see their reflections in the mirror.

With lots of charm, charisma and talent, Plínio Matto$ concocts a web of lies to save himself from his destiny.