Carlos Albergaria

A director starts from a disturbing provocation to explore, in the tone of a fable, the boundaries between motherhood, desire, and identity. At the center is Selma, a mother consumed by jealousy, who spirals into delusions and imagined rivalries after discovering signs of her son's sexual life.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Tormented by a mysterious malaise, a woman tries to go on with her daily tasks. Meanwhile, her son becomes involved with another young man as all the spaces around them seem to point towards the end.