Isa Willinger

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

"With an A.I., you have to keep your sentences short and to the point." - This piece of advice is given to Chuck as he's picking up his new robot partner Harmony fresh from the factory. On the other side of the world, in Tokyo, the cute robot Pepper with Grandma Sakurai, arranged by her son, so that she feels less lonely. But soon, Pepper turns out to be a rather headstrong character. How will we live together with artificial intelligence? What will we win, what will we lose? The documentary shows us tomorrow's world today.

The global plastic crisis is dismantled and reassembled in a well-researched, cinematic film that not only points to the problems, but also to possible solutions. Probably the most important climate film of the year, with an attentive eye on greenwashing and climate racism.

In the back alleys of Moscow, forgotten treasures lurk: Utopian buildings, built in the 1920s in the spirit of Russian constructivism. Ruins of another future, reflecting the hopes and aberrations of modernity. Aren’t the buildings calling out to us? The film follows three Muscovites who are struggling with the buildings’ heritage.

Understanding how the musical world was impacted by the World War I.