Enzo Nasso

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

The title Amore amore (Love, Love) defines the primary emotive motor of the film and constitutes the filter through which are selected the materials used - people, things, signs - and determines a good portion of the associations though which the sequences unwind.

In La prova generale, Carlo (Carlo Cecchi) interviews with a tape machine and a microphone his young lover while the two wander in the beautiful splendour of a wood on the edge of the city.