Directing
Kateryna Ruzhyna
Kateryna Ruzhyna (Zaporizhzhia, 1995). Ukrainian filmmaker based in Czech Republic. She graduated in History of Arts at Charles University and also studied Theory of Art at the Academy of Arts, Architecture and Design in Prague. Since 2020 she has participated in short films as an art director. “Avitaminosis” (2023) is her debut short film.
Known For
Wedding, BerlinWedding, Berlin
MovieDrama
Amal turns her Berlin wedding into an act of protection for the Palestinian artist she loves — until the outside world presses in, testing how much that protection can truly hold.
Contact · 2026Contact
2026
MovieAnimationDrama
Living far away as an emigrant, young woman learns about her beloved grandmother’s death and dives into deep reflection. On the flight to the funeral, she must choose to repeat her parents’ cold pattern or embrace the warmth her grandmother taught her.
Avitaminosis · 2023Avitaminosis
★ 10.02023
MovieDocumentary
The unfavorable situation of the labor market during the pandemic pushes Kateryna to work in a fraudulent call center that sells vitamins that promise “magical” success to its consumers. While this helped to survive financially, months of isolation, irritated customers and a common frustration took her into a vitamin deficiency, so-called avitaminosis. The film is a journey into fragility and the search for healing and love in an increasingly suffocating world for young generations.
59th second · 202459th second
2024
MovieRomanceMystery
This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
Housing Benefit · 2026Housing Benefit
★ 3.02026
MovieMysteryDrama
This stylised short film follows the unexpected intertwining of the fates of a young man, who applies for housing benefit during the day, and the clerk who processes his application. When they meet by chance in a bar that evening and events take an unexpected turn, they both end up in his flat. During their late-night conversation, the clerk reveals the absurdity of her daily work at the office – a world full of nonsensical rules, powerlessness and alienation, which is disturbingly reminiscent of a Kafkaesque labyrinth. This intimate drama, laced with black humour, shows that the victims of bureaucracy are not only its clients, but also those who carry it out.
Filmography
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