Rizqullah Ramadhan Panggabean

After failing to build a career in the film industry, ADI returns to his hometown in Lamongan, saying he wants to make a documentary about the fish harvest season. However, living with his father, who remains calm despite his struggling livestock business, only makes ADI increasingly frustrated.

Kiwo and Tengen, a pair of separated sandals in the middle of the crowd of the Sheikh Zayed Solo Mosque.

When the graduation photo shoot was about to begin, Permadi, a vocational student in beauty and makeup, wanted to add color to his pale lips after being ill. However, his attempt instead led him into a painful fight.

In a bleak corner of the city, a young man is trapped in the nightly routine of his father’s inherited Javanese food cart. Haunted by guilt, he searches for a way out of the fate that is draining him.

Ardi, a 21-year-old cinephile who prides himself on being immune to Indonesian horror films. Introduced by Kitti, an ambitious film producer, and Rossi, a creative director working on a new project, Ardi expresses his disdain for local horror films, which he believes are of poor quality and rely too much on cheap jump scares. Through interviews and interactions with his friends, including humorous moments shared while watching horror films together, Ardi's arrogance and skepticism toward the genre are evident. His friends challenge him to watch clips from some of the most terrifying horror films, hoping to make him experience fear. However, Ardi remains unimpressed by each clip shown, continuing to mock the genre's ability to frighten him. As the film progresses, Ardi's journey becomes not just a challenge of fear but a humorous exploration of his own biases and the nature of horror in contemporary Indonesian cinema.

In a bleak corner of the city, a young man is trapped in the nightly routine of his father’s inherited Javanese food cart. Haunted by guilt, he searches for a way out of the fate that is draining him.

An ordinary story about an awesome trashman.