Roman Nuñez Soria

A medieval peasant suffering from the plague encounters the spirit of his dead wife as he wanders into the forest.

Inside a cold and rusty bunker, Irina and Georgi endure the aftermath of a nuclear war. Georgi’s heavy radiation sickness and imminent death prompt Irina to repair his old, beloved guitar so he can hear it one last time.

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

Sara doesn’t know what she’s doing on that casting, but there she is, waiting. What she really doesn’t know is not what will happen in that casting, but what will happen if she doesn’t get out

Although he works in a nice nursery, surrounded by plants and making bouquets, the real aspiration of Jorge is to become a mortician. However, as he goes through the simulations at his thanatopraxy school, he wonders if he will really be able to face reality when the time comes to see a deceased person.

Marina finds herself on the previous days of her last piano concert that will change her life forever, continuing her studies in Germany, far away from her actual life. However, what nobody sees, blinded by the scholarship, is that the preassure is killing her and that it will drive her where to what a 17-year-old shouldn’t go.