Eduardo Mateos

The cell phone in my right hand and the microphone in my left hand document what happened between studying film between 2019 and 2023, following my friends in the cities of Madrid and Prague and being lucky enough to barely alter their behavior. A very fine narrative thread links the seemingly unconnected events, imitating the disruptive and non-linear nature of our memory. Now I ask myself: What do I remember about these four years? A series of snapshots come to mind that I don't even know how to put in order and that I have tried to protect from oblivion with my cell phone.

After the death of her younger daughter, Carmen is incapable of confronting her loss, still living with her ghost. Through the Spanish dance, she will be passing through the mourning with her eldest daughter.

An injured stranger comes to a peasant family that lives in isolation, announcing that he can help them find water, as a drought threatens them.