Antonis Papanikolatos

New Year’s Eve 2000. The Y2K virus and the change of the millennium are subjects that scare humans. Mara spends her night with Anna, her mother, and some special guests. Her mother’s friend, Miriam, brings a matryoshka doll as a symbolic gift to the family and the universes unveil.An unknown man invades Mara’s private space and keeps filming her. The other people seem to not know. Everything seems confusing as the world ends.

When the urban regeneration project of the former Ellinikon International Airport of Athens begins right outside his door, Vasos, one of the area’s oldest residents, struggles to adjust to a place that no longer feels like home.

When his mother dies by suicide, Dinos returns to the village where he grew up. Confronted with the Orthodox tradition that denies her burial, he — like a modern Antigone — defies social conventions by choosing a personal ritual of farewell.

A kid who wants to play with his friends, a woman trying to avoid her husband, and an everyday guy who's been owed money, all try to find the courage to escape manipulation, while a "giant alien flying object" starts falling from the sky.

The film unfolds as a first mapping of memory and existential landscapes, where lived experience spills beyond itself, transforming into image, gesture, and presence.

After an accident, Nikos finds himself in a rehabilitation centre, confronted with a new reality. While the world around him keeps moving, he is called upon to redefine his relationship with his body, his boundaries and the course of his own life.

It's his birthday. He will sing tonight. The pieces of his fragmented self struggle to compose the song; the fragments of the song expand to rebuild him.

Katerina and Dimitris arrange yet another random encounter, a date in the wild, which fails to start because they won’t agree on anything besides their favorite topic of interest, contemplating death. The only moment they truly exist, is the one that got away from both.