Leonardo Amorim

Maybe that's what they like, a little bit of melodrama.

When Tatiana's friends find her catatonic, they decide to gather the group of friends to try to help her. Between mystical and medical approaches, they realize that to wake Tatiana up they must call Arthur, her ex-boyfriend. When he arrives, he manages to snap her out of the trance, but not in the way they expected.

Júlia falls in love with Letícia after seeing her kissing another woman.

Between notes and photographs from a baby album, this short film investigates what lies outside the frame. Starting from the director's mother's written records and childhood images in which her presence appears only in fragments — a hand holding, an arm supporting, a shadow on the edge — the film proposes a reflection on absence and the traces left in the visual narratives of family life. By weaving together facts and fabrication, the work reveals how family albums function not only as repositories of memory, but also as coming-of-age stories, full of choices, silences, and inventions. Between delicacy and humor, the film questions who appears and who is erased in these stories, exploring the invisibility of care work and its discreet permanence in the materiality of photography.

Bruno is a young university student dealing with loneliness after moving to study in another town. He deposited his insecurities in Caio, another student he met online that can only occasionally travel for them to meet, since they live far away from each other.

On the eve of leaving the informal work sector and being hired, Samuel is haunted by his work instrument: the engineer mascot.