David Warrilow

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.

A disillusioned young writer living in New York City turns to drugs and drinking to block out the memories of his dead mother and estranged wife.

A young woman who is obsessed with Buster Keaton stays in the sanatorium where the actor was once a patient.

A group of scientists take Simon, a psychology professor, as a test person for a brainwashing experiment and try to convince him that he is a living being from another planet.

The story of a woman whose past comes back to haunt her after a former lover re-enters her life.

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.

A brief, fictionalized time period in the life of Professor Kant. The story is set in his hometown, Konigsberg, chronicling his last few years prior to his death in 1804 at the age of 79.

Set in an "abode where lost bodies roam each searching for its lost one". The abode is a flattened cylinder with rubber walls fifty meters in circumference and eighteen meters high. It is constantly illuminated by a dim, yellow light, and the temperature fluctuates between 5°C to 25°C, sometimes in as small an interval as four seconds. This leads to extremely parched skin, and the bodies brush against each other like dry leaves. Kisses make an "indescribable sound" and the rubber makes the footsteps mostly silent.

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.

...a meditation on a familiar New York city space in which memories, fantasies and the maniacial interwine.