Marina Forniés Briceño

Aitana organizes a big Halloween party in her huge apartment in Madrid in the hope that her friend Cleo will come.

Revisiting family archive images, Marina cannot help but wonder what would have happened if she had recorded those images. Through the modification of the footage she tries to find out if it is possible to know a person through what underlies the images. In this case, her grandmother Esther.

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

Born. Grows up. School. Love. Work. University. Finishes... Friend... Friends. Party. Films. City. Work. Work. Work. Finishes. Finishes. Internet. Decline. Internet. Decline. Work. Destruction. Destruction. Destruction... Memory. Memories.

La Riviera has cardboard palm trees. As warm as a beach, as cold as a film set.

In 1988, Bruno Mouron and Pascal Rostain, photographers at Paris Match, developed a sociological study that showed that trash reflects people's lives. Experts on "celebrities" decided to apply this principle to the stars.

A portrait of the fugacity of time. Bruno, Elio and Matías, three 16-year-old boys, after performing a Shakespeare monologue at high school, return to their refuge where they create their own world; where the time passes differently, as in a dream that they will eventually wake up.

An autumn daydream, triggered by the end of the vacations and the beginning of the new season.