Marina Forniés Briceño

A sex doll called Lucy wakes up in the bedroom of a doll brothel. She lives with Mina, another doll. Together they watch TV: their window to the real world. They imagine themselves living far away. After a while, Lucy wants to escape. But Mina doesn’t want to leave. Lucy has to choose between freedom and the doll she is in love with.

Revisiting family archive images, Marina cannot help but wonder what would have happened if she had recorded those images. Through the modification of the footage she tries to find out if it is possible to know a person through what underlies the images. In this case, her grandmother Esther.

Aitana organizes a big Halloween party in her huge apartment in Madrid in the hope that her friend Cleo will come.

Born. Grows up. School. Love. Work. University. Finishes... Friend... Friends. Party. Films. City. Work. Work. Work. Finishes. Finishes. Internet. Decline. Internet. Decline. Work. Destruction. Destruction. Destruction... Memory. Memories.

In 1988, Bruno Mouron and Pascal Rostain, photographers at Paris Match, developed a sociological study that showed that trash reflects people's lives. Experts on "celebrities" decided to apply this principle to the stars.

A gentle wander through the landscapes of more than 50 active Spotify listeners.

La Riviera has cardboard palm trees. As warm as a beach, as cold as a film set.

An autumn daydream, triggered by the end of the vacations and the beginning of the new season.