Larissa Kischk

Journeying home to the Bulgarian hinterlands on the border of Turkey and Greece, Saïd seeks out a fuel-smuggling deal with a small-time crook, attracting the attention of Iliya, the local kingpin. Sensing danger, Saïd enlists the help of one-time romantic interest Veska, an archaeologist who years earlier had fallen in with the swindlers and operators of the post-Communist era. But when Saïd goes missing, Veska takes over the smuggling operation, deftly moving among the thunderous, posturing men and coming-face-to-face with the underworld that shaped her past.

Karla doesn't have it easy as a newcomer at boarding school. Between bullying and exclusion, the 16-year-old is confronted with power struggles amongst teenagers. This adaptation of Rainer Maria Rilke's "Gym Class" shows Karla's attempt at dealing with these challenges.

The ingenious and uncompromising scientist Pouya and her friend Joro are trying to create the perfect simulation - a new world. In the process, they enter into a battle with the mega-corporation, RenJi. It is a battle Pouya can only win if she merges with the machine, the AI EXIT, and becomes the impulse for the emergence of the new world herself.

12-year-old Fabi has to finally prove himself as one of the family - by getting his first scar.

A four-year-old is laughed at by two older girls. Fueled by thoughts of revenge, his imagination suddenly becomes tangible, turning his childish game into bitter reality.

Marie is driving on the highway and needs to pee urgently. But the toilet at the rest stop is broken. And an increasingly absurd odyssey through this toxic male biotope begins for Marie - and ends in blood.

Bureaucracy of the unknown. However permanent and stable any order may seem, it may eventually crumble when reality outside of the system creeps in, growing like organic matter through the boundaries that the order has imposed.

In a surreal odyssey, the Self seeks escape.

Trapped in Damascus, surrounded by war, a lonely man becomes increasingly lost in his fantasies of fleeing and the inner dialogues with his dog.

What would we do if the world ended tomorrow? And what do we do to prevent it? "The End of the World As We Know It" is a film about three people who seek survival in the face of great catastrophes: in a bunker far from civilization, in the contaminated Chernobyl exclusion zone, and as a scientist fighting the climate crisis.

A couple, a mother, a body activist - they all earn their money on an Internet platform for pornographic content: "WatchMe". While Tim (Michelangelo Fortuzzi) tries to live up to the great ambitions of his boyfriend Josh (Simon Mantei), Toni (Anna Werner Friedmann) lives out a previously undiscovered side of her. Although she now feels electrified, she is also confronted with prejudice. The feminist plus-size activist Malaika (Maddy Forst), on the other hand, wants to benefit at least financially from the sexualization she is exposed to every day anyway - according to her own rules. But she quickly has to ask herself whether this is even possible.