Lucio Greco

Melkor is a rebellious demon who choses Buenos Aires to turn it into his personal hell by unleashing a demonic invasion. Zombies and demons walk the earth. All is chaos, fire, and death. The only one capable of stopping the hordes of the underworld is Cazador, but he only seems interested in drinking, eating, and fucking. To spark his interest the key will be Bussi the bear, his favorite plush toy. Based on the 90s comic.

Maxi isn't just a gloomy, medicated employee of a company's technical department, depressed by the end of a relationship he can't get over. He's also a fervent follower of the most extreme conspiracy theories. In his broadcasts, he tries, with little success, to warn the public about the advance of the reptilians in the circles of power and entertainment. What will happen if his worst nightmares come true and he has to face the reptilian enemy face to face?

It tells the story of a gunman who escapes from prison and, once free, returns to search for an old loot he buried in the Villalobos cemetery. The peculiarity is that there are some dead people there who have no intention of staying in their graves.

Bianca an emotionally unstable office worker is asked by a mysterious client to deliver documents insisting she must deliver them herself in person. On her arrival Bianca is kidnapped. Her captor, leader of a cult, drugs Bianca whilst tormenting her with continuous relentless indoctrination, forcing Bianca her to question the veracity of her memories, even those most life forming, as a victim of child abuse.

It could be "one day more or one day less" in this particular organization of the audiovisual field, the conflicts within it today overwhelm them. Family and union discussions will confront the proud owner of a Cine Snuff production company.