Fattah Fajar

NN lives in an environment that is completely at odds with who they are. Their past has made them lose faith in the concept of God—only the plants they care for and Yono, a man who runs a plant shop and seems to share the same beliefs, offer any sense of connection. One day, NN decides to prove that God does not exist and begins to challenge Him. One by one, their wishes are granted—but the consequences are far from what they expected. NN's life starts to change in unexpected ways.

Tatang, a systematic and melancholic widower, loses his enthusiasm for his routines when he begins to realize that he needs the presence of Caca, his only daughter in his life.

Andra has to carry out his mother's request to take care of his half sister, Jenaka, despite the circumstances that force him to live in his car. However, he faces an internal conflict as Jenaka's innocence slowly breaks down the barriers he built.

Observing the behind-the-scenes experiences full of stories, film editors struggle alone in silence, facing time pressure and demands for perfection, as they try to maintain mental balance amidst the endless routine.

Dimas found various creepy oddities after he ate the offerings given to his grandmother, Mbah Tini, who had died 40 days ago.

The traffic lights, namely the Red Light and the Green Light, exchanged roles to prove who was the most important, but their selfish decision actually caused a huge chaos that made them realize the meaning of responsibility and balance.

Generally, we know that a kuntilanak often cries and laughs, but we never really understand why. One day, Ms. K, out of boredom, decides to try a dating app and ends up meeting Mr. P. Eventually, they go on a date.