Noila Toshkenboyeva

The film tells the story of Anzirat, an elderly woman who lives in a small village in Soviet Uzbekistan with her son, daughter-in-law, and their ten children, all boys. Because of her strictness the villagers call Anzirat "Grandma-General". Back in the 1930s, Anzirat headed the main farm of the village and went through many hardships. Even when she gets old, Anzirat does not want to rest and cannot put up with the laziness, greed, and negligence of some of the villagers. She tries to put things in order for her family. Her son, however, instead of helping his pregnant wife spends all his spare time building a family football team. Only after Anzirat's death do the residents of the village realize how empty their village is without her. They feel that Anzirat was the conscience of their village.

The hero of the painting is a young man who is engaged in deciphering ancient cuneiform inscriptions. His life flows exactly according to schedule, everything is predetermined, calculated, taken into account. But suddenly events begin to develop so rapidly, unforeseen circumstances assert themselves so completely that Yunus cannot get to his own wedding for a whole day and becomes an active participant in many events taking place on that day in the city...

One mother-in-law and seven daughter-in-laws. Traditions of one Uzbek family.