Vanja Vascarac

After a client wiht an unusual birhtmark knocks on the doors of the apartment of a transgender artist, the latter tries to piece together where the two of them have previously met.

At midnight, two lab assistants study an unknown substance using machines and procedures that are unclear to us. They pursue knowledge through the strict logic of the laboratory. As exhaustion settles in, one of the assistants brews Turkish coffee for the other, and the night shifts. The process becomes a fortune-telling, and the scientific gaze gives way to intuition. Moving from analysis to foresight, the two women imagine another method of knowing; a space where rational inquiry and intuitive perception coexist.

Socialist Croatia, 1962. In order to keep up with the newly appointed laws regarding the urbanization of rural areas, the national goverment constructs a concrete titan they call Block 62, in the middle of a previously uninhabited field, adveritizing it to potential newcomers as an utopistic home of the future. Things seem to be going fairly well until one of the tenants, Milan, a war veteran and an agent for the Yugoslav Secret Service, commits suicide, seemingly not of his own accord. Fearing what this could mean for the security of the state, the Secret Service sends in another agent, Ivan, to move into the housing block undercover, alongside his pregnant wife Milica, and report on any suspicious activity he comes across. Upon their arrival, the unexplained deaths and suicides begin piling up more and more, and one of the tenants, a sickly 12-year-old named Ana, starts exhibiting strange symptoms and seemingly supernatural abbilites.

While spending holidays at his grandparents’ place in the countryside, a boy learns a cruel lesson of mercy.

A group of skaters take refuge in a shopping mall, making it their playground. As they spend time skating the empty hallways, the stillness creeps in. It's a dead end.