Maria del Pilar Judez

Rosario (18) attempts to communicate with her dead mother through a ritual forbidden by her family. Miguel (25), her brother, and Fausto (50), her father, fight to stop her and protect themselves from a dark past.

Ludovico faces the void left by the death of his father and the depression it generates in his mother. "Principe" deals with the father's omnipresence in the objects and spaces he left behind, and the transformation of a relationship in order to overcome the imbalance caused by the loss.

During the 90s, Daniel Brusca was a successful businessman. As the owner of a taxi company, he was surrounded by the world of Argentine show business and politics, and he emerged victorious in trotting races. 30 years later, he still pursues glory while constantly remembering, in every space and object, what he used to be.

Guillermina and Belinda, childhood friends, are spending their final days together in their apartment in Buenos Aires.

Tirsa, Elián, Teo, and Avril are imprisoned in a boarded-up house. In just a few minutes, their sentences will finally end. However, a call reminds them of the rules for getting out. The appearance of an external presence will put freedom at risk.

After receiving a significant settlement following a workplace accident, Pablo decides to invest all the money he had promised to use for building a new life with his girlfriend, Victoria, into a business he knows little about. Together, they must deal with the consequences of this impulsive decision.

The concept of home is associated with the house, with dwelling, with belonging. It’s simple, empathetic to everyone, yet difficult to generalize. As we delve deeper into what makes a space a home, the idea becomes more complex. What is a home? What is a house? Do we need a house, or do we need a home?

Malena and Patricia live in a fragile state of balance. The daughter cares for her schizophrenic mother while trying to move on with her life, but Luis's return seems to drive her deeper into madness, despite Malena's desperate efforts to save her.

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.

After weeks without rain, Milagros and Rocío stumble upon a mysterious red arch and a flowing stream. Convinced they've found their salvation, they decide to take the water home. But their grandmother orders them to return it, warning that the place they discovered will awaken an ancient curse. Now, they must decide whether to obey her and endure the drought or defy the warning and face the consequences.

Memories that begin to inhabit the empty spaces of a house. A journey in search of an answer. Through the coexistence of past and present, the director seeks to unravel our attempt to save ourselves from the clutches of time, thus exploring the fear of oblivion.