Ben Plunkett-Reynolds

When Samuel is torn from his daughter and sent to a brutal prison, Warden Clancy offers him a high-stakes proposition: smuggle gold out of a remote mine with a dangerous crew of prisoners and he’ll win his freedom.

During her Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, Diana decides to leave her marriage to Prince Charles.

There are two inns in the village of Hundsling, one too many. When Magdalena arrives for her mother's funeral, she sees how overwhelmed her father Xaver is with the family business, the “Rosi” inn. She decides to save it from ruin. In order to eliminate the competition, the “Casa Toni”, she resorts to quite unfair means. A fierce dispute divides the entire village.

A man in search of his son: Adil Bahdari comes from Berlin to Passau after a fisherman finds an expensive watch with a dedication on the back on the banks of the Danube. The watch was a gift from Adil Bahdari to his son Ahmed, whom he has not heard from for some time. He hires private detective Ferdinand Zankl to search for his son.

An epic poem of literary quotes, soundscapes and slide film images from the former DDR.

Louise (28) and her team are on a team-building course in a secluded retreat, led by Yin-Yoga coach Verena (48). However, what begins in a feel-good atmosphere increasingly becomes a compulsion to disclose their innermost fears and issues. One after the other, the participants share their traumatic memories during the exercises, hoping to free themselves from their past and thus perform better in their job. Despite being pressured by Verena, Louise struggles to follow suit and becomes more and more of an outsider.

The two-part feature film 'Masquerades of Research: Part I and II' is a fictional biography of pre-queer sociologist Laud Humphreys, author of the infamous book 'Tearoom Trade: Impersonal Sex in Public Places' (1970, 1975). Part I begins in St. Louis in 1967 in a pre-Stonewall and pre-Watergate USA, exploring the impetus behind Humphreys “Sociologist as Voyeur” research method — a still radical gesture and one of the first in the Western canon to turn the ethnographic gaze back onto the hypocritical conservative mindset that created it. Why can’t statistics be avant-garde? Part II begins in his Californian office in 1975, where we find Humphreys sweating in a radically different USA on the cusp of republishing 'Tearoom Trade'. Its relevance to contemporary discussions of intimacy, social presentation and data control is delicately carried by visual intensities and rich performances that keep as many secrets as they give away.

A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.