Jean-Pierre Gos

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

Paris, 1830. In the heart of the town, Vidocq, a famous detective, disappears as he fights the Alchemist, an assassin that he has been pursuing for a few months. His young biographer, Etienne Boisset, decides to avenge Vidocq's death and takes the investigation on...

A French corporation goes head-to-head with an American web media company for the rights to a 3-D manga pornography studio, resulting in a power struggle that culminates in violence and espionage.

Antoine Toussaint is a famous, disillusioned 70 year-old crooner. On a train to Geneva where he plans to end his life, Antoine meets Victoire, a good-natured fan with a few loose wires. This unlikely encounter thwarts all Antoine’s plans, for better or worse!

A high-stakes drama set in the world of gambling, where a clever but morally conflicted roulette player, Alex Joski, joins forces with a desperate woman battling debt. As they pursue an “unfailing system” to beat the casino, their alliance is tested by jealousy, mistrust, and the reappearance of the woman’s troublesome former lover.

Gregory, is set to meet his fiancée and his prospective parents-in-law at a restaurant. He arrives late and the tension is palpable as they order dinner. Uneasy, Gregory excuses himself to the restroom. While enjoying sudden quietness, his life takes an absurd and tragic turn when he discovers a mysterious object in the trash bin.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Bruno loved his job as a middle manager at a paper company, but optimistically views being laid off as an opportunity. After two years of searching for a comparable position, optimism turns to desperation. His wife works two jobs, and their marriage slowly deteriorates as their hold on the middle class slips away. Bruno concocts a grimly audacious plan to identify and kill his fellow job applicants so that he is the only qualified person left.

Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow disappearance of that audience and of his advancing years. He is completely knocked off balance when he meets strikingly attractive and much younger businesswoman Marion. She seems distant and apparently otherwise involved but soon shows quiet signs of reciprocating his interest.

The tragic story of Vincent van Gogh broadened by focusing as well on his brother Theodore, who helped support Vincent. Based on the letters written between the two.

Desperate to break free from the poverty of his homeland, Elias boards a ramshackle people-smuggling trawler to France. But when the boat is raided by police, Elias leaps into the ocean, eventually finding himself washed up on a Mediterranean beach resort called Eden. So begins Elias odyssesy across Western Europe to Paris, where wondrous promise, helpful new friends and perilous dangers await him every step of the way.

While on a joyride with the headlights turned off, two men hit and kill another man carrying a satchel full of money. The two men decide to take the money and throw the body into a pond and bury the money in a coal hill. The next morning the police discover the body of a kidnapped 12-year blind girl, Melody, in a warehouse near the site of the hit-and-run. They determine that the kidnapper saw the girl's father bringing the ransom to him and also witnessed the hit-and-run and the men stealing the ransom.

In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.

A cross-country trip turns out to be a nightmare for a troubled couple.

What does ‘normal’ actually mean? And what is ‘crazy’? Everybody attempts to convince Léa that her mother, Suzanne, is mentally ill. Her father wants to see her returned to the psychiatric clinic, but Léa refuses to see her mother in the same light: Suzanne is happy – even if she doesn’t act like others expect her to. She appears to live a joyfully infantile existence after calmly letting go of life’s pressures. Léa captures her mother’s life on film and focuses her attention on examining the old super-8 films from the family archives. When she is left to drive her mother back to the clinic after a weekend at home, Léa grabs her opportunity: She turns the car around and whisks Suzanne off on a journey; a road trip without the judgements of others. AVANTI follows a mother-daughter relationship with an ease and depth that highlights the complexity of the emotional ties within a family.

Ann leaves Thomas and everything else behind when she catches him kissing another woman. With her music and help from Georges, she begins a journey to find herself.

It’s December 1999, and 25-year-old Jonah has just graduated from film school. As the new millennium begins, Jonah marries his longtime sweetheart Lila. Over the course of six months, the couple meet a number of interesting people, including Irina, an exiled Russian actress, as well as spending their time with Jonah’s sister Cecile and his filmmaking mentor Anziano. The discussions Jonah has with these friends and strangers help him to gain some perspective on his life and the new millennium.

Jean-Pierre is a literature professor in Switzerland. Due to the vagarities of Swiss law, he is selected, basically at random, to be the guardian of a parentless teenage boy named Antoine. Conflict comes into the story as Jean-Pierre, who has just accepted a major promotion, must now deal with caring for a teenage boy he doesn't want to care for, as well as handling his own jealous boyfriend. Then his wife steps into the picture. Things get complicated from there as Jean-Pierre tries to get out of his guardianship.

Henry Dunant, son of a Geneva francophone upper class bourgeoisie family, works for a Swiss exploitation company in French Algeria; when the colonists are thirsty, he returns determined to convince the firm and emperor Napoleon III to build a dam for them. After his Uncle, Dr. Hubert Dunant, diagnoses him not with Algerian typhus, just malaria, also his first meeting -dropping drawers in hospital for a shot- with nurse Cécile Thuillier, and meeting his careerist brother Daniel's fiancée, Léonie Bourg-Thibourg, daughter of the firm's boss, the board approves his plan. On his way to the emperor, who didn't even concede to receive him, Henry gets stuck in Castiglione, part of the Austrian province Lombardy which French troops came to 'liberate'; his Geneva friend Dr. Louis Appia saves his life by presenting him to suspicious Austrian troops as his medical assistant...

The vicissitudes of showbiz take the hero Renart (Gerald Battiaz) and his wife Hermeline (Francoise Dupertuis) from up to down and back again in this brief drama. Renart entertains at a nightclub by pulling objects out of a suitcase on stage and creating a wide range of sound effects with his collection of odds and ends. All goes well until his wife is fired from her job at the club because she is pregnant. That infuriates Renart, and he quits. The couple then take off for the mountains and open up a club of their own, but now when he is the owner, Renart is transformed for the worse.

A wanderer named Timothee arrives in a French village in 1865 pretending to be deaf and mute. He uses tricks to hypnotize a beautiful young woman named Josephine and takes advantage of her until he is arrested and tried for his crimes.

Gabrielle, a pleasant woman in her sixties, learns that she is about to be evicted from her second-hand shop...

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

Chamonix in the 1930s was a resort where a cosmopolitan, fashionable and sporting society thronged, in search of novelties and thrills found in mountaineering. These people rub shoulders with the Chamoniards but do not meet except on the trails of Mont-Blanc. The accident of Joseph, the patriarch of Servettaz, guides from generation to generation, marked the spirits. It is his son Zian who decides to take up the torch. Married to Bianca, the daughter of the wealthy Milanese industrialist who was partly responsible for her father's death, Zian lives out her great love story - a threesome - with the mountain always remaining the most demanding mistress. Tired of the agonizing expectations and loneliness during her husband's ascents, Bianca returns to Italy, Zian joins her, but society life is not his world, he returns to Chamonix. During an outing in the mountains, Zian falls into a crevasse. Bianca, alerted by a presentiment, returns to the one she loves above all...