Papa Wemba

Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.

A young man with dreams of pursuing a career in music moves form his small village to the capital. Along the way he falls head over heels for a woman - the same woman his boss is also pursuing for his own reasons.

Once upon a time a carnivorous advertising methodist (Richard Bohringer) finds himself stuck between floors in an old elevator. The owner of the deserted building (Ute Lemper) does not help, but plays with him like a prey trapped. To get out, he threatens, attempts to seduce, to deceive, to be honest. After this confrontation for several days...

A man is chosen at random to be the new leader of his African country, which makes him uncomfortable because he is married to a woman and has a son with her—but they are from rival ethnic groups. How does he reconcile his thirst for power with his duty to his family?